The film camera has a reference output of 720x576 that we record to the Wafians. We ended up with 80GB of Cineform footage, which represents 90 minutes of actual shooting. Besides that we had 4.6GB of still behind-the-scenes images and 5 full DV behind-the-scenes tapes. All the departments, from make up, hair, behind-the-scenes, camera and continuity made use of the Wafian like central data server on set. When all was done, we went back and digitized the film to high definition video (Telecine, just using Wafian) with resolution of 1920x1080 23,976 psf – this gave us another 100GB of data to store and backup.
After a very stressful day, with many problems along the way, I can testify to the fact that the Wafian boxes performed superbly and the hiccups that did occur were quickly taken care of. It seems that Cineform and Wafian together form a winning combination and is the one part of the whole setup that I am most satisfied with as far as performance and quality is concerned.
As it turns out, the dual Wafian box setup made life much simpler for controlling continuity. It became possible to watch a recording of the scene before lunch on one box while monitoring the live feed on the other box. Apart from the broadcast monitors, we also had two 23” flat panel screens sitting next to the Wafian boxes. Eventually I had both Continuity and Directors standing around my VT setup so that they could see the action better on the big monitors.
We are learning all the time. We now have to discover all the weird and wonderful things that will emerge from using the new high definition technology.